Weimar, Germany

The Weimar settlement emerged around the count's wooden castle and two small churches, dedicated to Saint Peter (which later became the main church), and to Saint James, respectively. In 1240, the count founded the dynasty's monastery in Oberweimar, run by Cistercian nuns. Soon after, the counts of Weimar founded the town, which was an independent parish since 1249 and called civitas in 1254. From 1262, the citizens used their own seal. The regional influence of the Weimar counts was declining as the influence of the Wettins in Thuringia increased. Hence, the new small town was relatively marginal in a regional context, also due to the fact that it was located far from relevant trade routes, such as the Via Regia. The settlement around Saint James Church developed into a suburb during the 13th century.

After becoming part of Wettin territory in 1346, urban development improved. The Wettins fostered Weimar by abolishing socage and granting privileges to the citizens. Now Weimar became equal to other Wettinian cities like Weißensee and grew during the 15th century, with the establishment of a town hall and the current main church. In 1438 Weimar acquired trade privileges for woad, a plant from which blue dye was made. The castle and the walls were finished in the 16th century, making Weimar into a full city.

After the Treaty of Leipzig (1485) Weimar became part of the electorate of the Ernestine branch of Wettins with Wittenberg as capital. The Protestant Reformation was introduced in Weimar in 1525; Martin Luther stayed several times in the city. As the Ernestines lost the Schmalkaldic War in 1547, their capital Wittenberg went also to the Albertines, so that they needed a new residence. As the ruler returned from captivity, Weimar became his residence in 1552 and remained as such until the end of the monarchy in 1918. The first Ernestine territorial partition in 1572 was followed by various ones, nevertheless Weimar stayed the capital of different Saxe-Weimar states. The court and its staff brought some wealth to the city, so that it saw a first construction boom in the 16th century. The 17th century brought decline to Weimar, because of changing trade conditions (as in nearby Erfurt). Besides, the territorial partitions led to the loss of political importance of the dukes of Saxe-Weimar and their finances shrunk. The city's polity weakened more and more and lost its privileges, leading to the absolutist reign of the dukes in the early 18th century. On the other hand, this time brought another construction boom to Weimar, and the city got its present appearance, marked by various ducal representation buildings. The city walls were demolished in 1757 and during the following decades, Weimar expanded in all directions. The biggest building constructed in this period was the Schloss as the residence of the dukes (north and east wing: 1789–1803, west wing 1832–1835, south wing: 1913–1914). Between 1708 and 1717 Johann Sebastian Bach worked as the court's organist in Weimar.

The period from the start of the regencies of Anna Amalia (1758–1775) and her son Carl August (1775–1828) through to Goethe's death in 1832 is denoted as the "golden" or the "classical" age because of the high level of cultural activity in Weimar. The city became an important cultural centre of Europe, having been home to literary figures including Goethe, Schiller, Herder, Wieland and Bertuch; and in music the piano virtuoso Hummel. It has been a site of pilgrimage for the German intelligentsia since Goethe first moved to Weimar in 1775. Goethe was also active in civic duties while living there. He served as Privy Councilor to the Grand Duke of Saxe-Weimar-Eisenach for an extended period. The tombs of Goethe and Schiller, as well as their archives, may be found in the city. Goethe's Elective Affinities (1809) is set around the city of Weimar. In comparison to many major German states, the dukes' policy was liberal and tolerant in this period. The liberal Saxe-Weimar constitution was brought into effect in 1816.

The time after Goethe's death is denoted as the "silver" age because Weimar remained an influential cultural centre. The first emphasis was fostering music. In 1842, Franz Liszt moved to Weimar to become the Grand Ducal court conductor. Liszt organized the premiere of Richard Wagner's Lohengrin (1850) as well as the world première of Saint Saëns' opera Samson et Delilah (1877) in the city. The Weimar School of Music was founded in 1872 as Germany's first orchestra school. Richard Strauss worked in Weimar between 1889 and 1894 as second conductor in the acclaimed Staatskapelle Weimar (the court orchestra founded in 1491). Several of his encores for works such as Don Juan and Macbeth were performed by the Staatskapelle Weimar. He also premièred Humperdinck's opera Hänsel and Gretel 1893 in Weimar. Friedrich Nietzsche moved to Weimar in 1897, and died there three years later.