Paisley, United Kingdom

Paisley has monastic origins. A chapel is said to have been established by the 6th / 7th-century Irish monk, Saint Mirin, at a site near a waterfall on the White Cart Water known as the Hammils. Though Paisley lacks contemporary documentation it may have been, along with Glasgow and Govan, a major religious centre of the Kingdom of Strathclyde. A priory was established in 1163 from the Cluniac priory at Wenlock in Shropshire, England at the behest of Walter fitz Alan, Steward of Scotland (died 1177). In 1245 this was raised to the status of an abbey. The restored Abbey and adjacent 'Place' (palace), constructed out of part of the medieval claustral buildings, survive as a Church of Scotland parish church. One of Scotland's major religious houses, Paisley Abbey was much favoured by the Bruce and Stewart royal families. King Robert III (1390–1406) was buried in the Abbey. His tomb has not survived, but that of Princess Marjorie Bruce (1296–1316), ancestor of the Stewarts, is one of Scotland's few royal monuments to survive the Reformation.

Paisley coalesced under James II's wish that the lands should become a single regality and, as a result, markets, trading and commerce began to flourish. In 1488 the town's status was raised by James IV to Burgh of barony. Many trades sprang up and the first school was established in 1577 by the Town Council.

The Paisley witches, also known as the Bargarran witches or the Renfrewshire witches, were tried in Paisley in 1697. Seven were convicted and five were hanged and then burnt on the Gallow Green. Their remains were buried at Maxwelton Cross in the west end of the town. This was the last mass execution for witchcraft in western Europe. A horseshoe was placed on top of the site to lock in the evil. A horseshoe is still visible in the middle of this busy road junction today—though not the original. The modern shoe is made of bronze and bears the inscription, "Pain Inflicted, Suffering Endured, Injustice Done".

The Industrial Revolution, based on the textile industry, turned Paisley from a small market town to an important industrial town in the late 18th century. Initially beginning with small scale weaving (as took place at the Sma’ Shot cottages located in Shuttle Street), Paisley's location and workforce attracted English mill owners; migrants from Ayrshire and the Highlands poured into a town that offered jobs to women and children until silk fell out of fashion in 1790.

The mills switched to the imitation Kashmir (cashmere) shawls called "Paisley". Under the leadership of Thomas Coats (1809–1893), Paisley became the world centre for thread making. Mills and textile factories grew from the late 18th century, coming to dominate the town in the late Victorian era. These include the Anchor and Seedhill mills, as well as the adjacent Atlantic, Pacific and Mile End mills. Another example was Underwood Mill, a cotton mill founded in the 1780s which was later rebuilt as a thread mill in the 1860s (it fell into disuse in the 1970s). Other thread mills include Oakshaw thread works (later used by Arrol-Johnston car manufacturers) and the Burnside thread works.

By the mid-19th century weaving had become the town's principal industry. The Paisley weavers' most famous products were the shawls, which bore the Paisley Pattern made fashionable after being worn by a young Queen Victoria. Despite being of a Kashmiri design and manufactured in other parts of Europe, the teardrop-like pattern soon became known by Paisley's name across the western world. Although the shawls dropped out of fashion in the 1870s, the Paisley pattern remains an important symbol of the town: the Paisley Museum maintains a significant collection of the original shawls in this design, and it has been used, for example, in the modern logo of Renfrewshire Council, the local authority.

According to Monique Lévi-Strauss, information on the history of Kashmir shawls' weaving techniques had been described in books, but in a very unintelligible language. John Irwin published a book named Shawls, a Study in Indo-European Influences, in 1955, in which he relates the Kashmir shawl's history and how these shawls spread on the European market during the 19th century. The book showed images of shawls woven in India and also fifteen images of shawls woven in United Kingdom, amongst which is one assigned to a Paisley manufacture, circa 1850. But according to Monique Lévi-Strauss, it resembles by many details a shawl designed by a French designer named Antony Berrus, who was born in 1815 at Nîmes-France and died in 1883.